Vampire Weekend - Step
Yes, it’s true: Vampire Weekend; after keeping hopeful fans at bay for a full three years, has written and recorded a third album. Now, if you are like me and have kept off your waiting pains by keeping their last album in near constant rotation, then you may have approached this news with trepidation. After all, what if Vampire Weekend changed their sound to cater to changing tastes, or what if they simply lost the magic of Contra? With these concerns and more I approached the singles (so far) from Modern Vampires Of The City.
“Step” begins smoothly with Ezra Koenig’s voice softly oozing over a simple bass line, and as soon as the drums hit you can tell that Vampire Weekend’s sound isn’t changing for anyone. While “Step” does not have the raucous charm of “A-Punk” or “Cousins”, listeners will find it reminiscent of their softer tracks, such as “Taxi Cab.”
While “Stay” steers away from the synthesizer fills and African beats of previous tracks, it does maintain the heart and flow that Vampire Weekend has become known for, as well as a few mainstays for the band. Such as Koenig’s delightfully off-tempo delivery and the trills of a harpsichord in the background. Unlike “Diane Young”, the first single whose keyboardless energy steers somewhat away from previous VW efforts, “Step” proves the band’s capabilities to make excellent, quirky, vibrant music remain unchanged.
Vampire Weekend is seemingly still dedicated to producing sing song anthems for lovelorn city wanderers, and if that’s your thing, be sure to check out Modern Vampires Of The City. when it drops in mid-May.
This guest post was beautifully written by owlien. Thanks, owlien!